A FRAMEWORK FOR THE OBSERVATION OF MOVEMENTS AND SOUNDS

Christopher Joel Wainwright

Authors

Christopher Joel Wainwright Author

Keywords:

SOUNDS, MOVEMENTS

Abstract

Observations play a fundamental part in therapeutic and educational practice. Observation is the initial practical scientific act. Then comes classification, or ordering, of what is observed. Only then can hypothesizing, experimentation, and theory revision occur.

References

Argyle, M. Bodily Communication, London, Methuen, 1975.

Birdwhistell, R. L. Kinesics and Context, Philadelphia, University of Pennsylvania Press, 1970.

Bronfenbrenner, U. & Newcomb, T. H. Improvisations-an Application of Psychodrama in Personality Diagnosis, Sociatry, 1948 l: 4, 367-382.

Chaiklin, S. Concepts of Dance Therapy, Group Psychotherapy and Psychodrama, 1967, 20, 154-155.

Clayton, L. A Rating Scale of Role Warm Up in Psychodrama, Group Pscyhotherapy, Psychodrama & Sociometry, 1977, XXX, 18-36.

Ekman, P. & Friesen, W. V. Unmasking the Face: a Guide to Recognising Emotions from Facial Clues, New Jersey, Prentice Hall, 1975.

Knapp, P.H. The Ear, Listening and Hearing, J. Am. Psychoan. A. 1953 1, 672-689.

Moreno, J. L. Psychodrama, Vols. 1, 2, 3, 5th ed. Beacon, New Yark, Beacon House, 1977.

Moreno, J. L. The Theatre of Spontaneity, 2nd ed. Beacon, New York, Beacon House, 1973.

Moses, P. J. The Voice of Neurosis, New York, Grune & Stratton, 1954.

Ostwald, P. F. Soundmaking: The Acoustic Communication of Emotion, Springfield, Ill., Charles C. Thomas, 1963.

Robbins, R. B. & Robbins, G. J. Psychodramatic Body Building, Group Psychotherapy and Psychodrama, 1970. XXIII: 3 4 , 122-126.

Ruesch, J. Therapeutic Communication, New York, Norton, 1961.

A FRAMEWORK FOR THE OBSERVATION OF MOVEMENTS AND SOUNDS

Authors

Keywords:

Abstract

References

Published

Issue

Section

License